Events' Realm

Lahaina

United States

Hawaii

Kapalua Golf - The Plantation Course

The Sentry - Sunday Only

Stubhub

LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.


About the Artists:


Yelena Filipchuk (b. 1987) Born in Lviv, Ukraine, Yelena attended UC Berkeley and studied Conservation and Resource Studies, concentrating on patterns in the natural world, biomimicry and environmental justice. Then trained in studio art and fabrication and digital design. She thrives in the creative process, creating thought provoking artwork that investigates patterns and forms as a way to educate and inspire.


Serge Beaulieu (b. 1981) Born in Revelstoke BC, Canada, Serge attended Carleton University and studied Industrial Design. After having practiced as a designer for 10 years, Serge returned to his roots as an artist and sculptor by creating large scale artworks that push the boundaries of technology, geometry and fabrication. He is constantly investigating materials, light and processes in order to harness technology as a conduit for artistic expression.

Phoenix

Arizona

1201 N. Galvin Parkway

Desert Botanical Garden

Light Bloom at the Desert Botanical Garden

The S’edav Va’aki Museum is thrilled to invite you to visit our latest exhibit, “Following Their Roots – Traditional Native American Farming in Arizona, Past and Present,” opening October 17, 2024. This exhibit is all about exploring and celebrating the deep connections between Arizona’s Indigenous communities and their agricultural traditions, offering a rich historical perspective and a glimpse into the contemporary practices that sustain these cultural lifeways today.


Come discover how these communities have thrived for over 4,000 years, learn about farming practices unique to Arizona's diverse ecosystems, and dive into the important ongoing story of water rights in the Southwest. It is a fascinating journey through history, food, and culture that you won’t want to miss!


The exhibit will be open until Summer 2025, so there is plenty of time to check it out. We can’t wait to see you there!

4619 E. Washington St.

S'edav Va'aki Museum (Formerly Pueblo Grande Museum)

Following Their Roots - Exhibit

Stradivarius and the Golden Age of Violins and Guitars presents more than 70 of the most extraordinary and sought-after string instruments from iconic European makers of the 16th to the 19th century. Spectacular violins, guitars, lutes, and bows show how exceptionally skilled makers elevated fine string instruments into timeless masterpieces that remain astonishing today.

4725 E. Mayo Blvd.

Musical Instrument Museum (MIM)

Stradivarius and the Golden Age of Violins and Guitars Exhibit

Let your imagination run wild as you walk back in time along one of our nature trails!

McKinney

Texas

Nature Place

Heard Natural Science Museum Wildlife Sanctuary

Dinosaurs Live!

New York

9/11 Tribute Museum

National September 11 Museum Admission

Bronx

Yankee Stadium

Yankee Stadium Gameday Express Tour

Meryl McMaster: Bloodline is a survey exhibition featuring the pioneering large-scale photographic works of Canadian artist Meryl McMaster (b. 1988), reflecting her mixed nêhiyaw(Plains Cree)/Siksika, Dutch, and British ancestry. This exhibition spans McMaster’s past accomplishments (2008-2019) and her recent explorations (2022-2023) of family histories, particularly those of her Plains Cree/Métis female forebears from the Red Pheasant Cree Nation in present-day Saskatchewan, Canada. This will be the first major solo exhibition of Meryl McMaster’s work outside of Canada. McMaster interrogates colonial histories, residential schools, and ancestral trauma, re-creating and re-imagining oral histories and stories in reclamation.

2301 N. Central Ave.

Heard Museum

Meryl McMaster: Bloodline at the Heard Museum

Turn Phoenix into a giant game board with this fun scavenger hunt adventure. Combine the excitement of the Amazing Race with a three-hour city tour. Guided from any smart phone, teams make their way among well known and overlooked gems of the city, solving clues and completing challenges while learning local history.  Available 365 days a year, sunrise to sunset. Start when you want and play at your pace. Save 25%- Only $36.75 for a team of 2-5 people after Promotion Code: PHXEVENT. Sign up online at www.UrbanAdventureQuest.com [http://www.UrbanAdventureQuest.com].

333 N. Central Ave.

Amazing Scavenger Hunt Adventure-Phoenix

Spring Scavenger Hunt Adventure

Montréal

Canada

Québec

Bell Centre

Visites Guidées Centre Bell - Bell Centre

It is not just a SHOW, it is an EXPERIENCE!


For almost a decade, we have been the #1 show for brunch in Texas (some say the U.S except the Miami show is crazier). Loud, proud, sometime lewd, but always over the top fun. For those who need a small break from their spouse, boyfriend, girlfriend, children, boss, or the every day monotony of life, there is no other place. Each show is different. So as we say here in Texas, "LIVE LIFE LIKE SOMEBODY LEFT THE GATE OPEN!"


Expertise in bachelorette parties, divorce celebrations, just turned 50, and girls just want to have fun parties or anything else that requires no picture taking.


Seating starts at 10:00 am. Seating is first-come first-serve. We do not sit incomplete parties. Seating is determined by party size and tables available when your party arrives.


No outside food, drink or cakes are allowed in the establishment.


Guest must present a physical form of ID, drivers license, or passport (All guest must be 21+) and valid mobile ticket before entrance is permitted.


Paramour is a non-cash establishment.


Show is for a mature audience.

San Antonio

Paramour Bar & Colette at the Phipps

The Show at Paramour

What role does community play in contemporary mothering experiences? How might we tackle taboo topics such as postpartum anxiety, rage, and birth trauma, while celebrating maternal joy, love, sacredness and the spectrum of emotions in between? What can we do to acknowledge the invisible labor of mothering, recognizing it is not a monolithic experience, and offering a rich tapestry of alternative, inclusive narratives? 


“Notes on Motherhood” explores various stages of matrescence, or “mother-becoming” –– from birth and caregiving to grief and loss. The exhibition challenges the narrow depictions of mothers and mothering within art history and visual culture. Drawing from the museum’s dynamic collection, the presentation assesses the presence and absence of nuanced, complex portrayals of motherhood. Often, maternity is viewed through a male gaze, with the image of the Madonna and Child dominating the experience. Alongside selections from the collection, the exhibition inserts voices and perspectives traditionally left out. Regional women-identified artists, such as Megan Driving Hawk (United States, b. 1988), Gabriela Muñoz (United States, b. Mexico 1980) and Ashley Czajkowski (United States, b. 1986), each offer a unique perspective on mothering, thereby expanding upon the limited understandings of birth, nurturing and unseen domestic labor. 


Artists include: Pitseolak Ashoona (Inuk, 1904–1983), James S. Baillie (United States, active 1838–1855), Judy Chicago (United States, b. 1939), Sue Coe (England, b. 1951), Ashley Czajkowski (United States, b. 1986), Francis de Erdely (United States, 1904–1959), Raoul Deal (United States, b. 1956), Louis Delsarte (United States, 1944–2020), Renée Dennison (Diné, b. 1963), Megan Driving Hawk (United States, b.1988), Albrecht Dürer (Germany, 1491–1528), Margaret Garcia (United States, b. 1951), R.C. Gorman (Diné, 1933–2005), Mildred Howard (United States, b. 1945), Sara Hubbs (United States, b. 1978), Victoria E.H. Huntley (United States, b. 1900–1971), Käthe Kollwitz (Germany, 1867–1945), John P. Leeper (United States, 1909–1989), Adriana Lestido (Argentina, b. 1955), Gabriela Muñoz (United States, b. Mexico 1980), José Clemente Orozco (Mexico, 1883–1949), Lisa Reinertson (United States, b. 1955), Margery Ryerson (United States, 1886–1989), Edwin Scheier (United States, 1910–2008), Forrest Solis (United States, b. 1979), Roxanne Swentzell (Santa Clara Tewa, b.1962), Akio Takamori (United States, 1950–2017), Dorothy Trujillo (Cochiti Pueblo, 1932–1999), Andy Warhol (United States, 1928–1987), June Wayne (United States, 1918–2011) and Russell Wray (United States, b. 1955).

51 E. 10th St.

ASU Art Museum

Notes on Motherhood at ASU Art Museum

“Muddy Terrains” presents a diverse collection of newly created works from two artists’ residencies with CALA Alliance in the Spring and Summer of 2024. San Juan-based Mariana Ramos Ortiz (Puerto Rico, b. 1997) and Phoenix-based Estephania González (United States, b. 1989) explore the interconnected themes of environmentalism, self-determination and impermanence in the Southwest and the Caribbean Archipelago. The exhibition underscores some of the most critical themes pertinent to the region, including resource scarcity. In their dynamic practice that employs innovative printmaking techniques, Ramos Ortiz explores the qualities of the earth as they relate to the realities of occupation, protection and temporality. Drawing inspiration from the societal and spiritual perspectives of the Mexica peoples of pre-conquest Mexico and Latinx hair practices, González’s work underscores the cultural significance of water across space, time and geographies.


How does water access and water scarcity affect you and your community? How does land ownership and sovereignty shift your perspective on place?


“Muddy Terrains: Mariana Ramos Ortiz + Estephania González” is organized by ASUAM Senior Curator Alana Hernandez, with ASUAM Windgate Curatorial Fellow Sade Moore and made possible by generous funding from the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Vania Guevara, Advocacy and Political Director, CHISPA AZ; Pita Juarez, Filmmaker, and Media and Communications Creative; and Elizabeth Pineda, Photographer and Faculty Associate at Arizona State University.

Muddy Terrains: Mariana Ramos Ortiz + Estephania González

“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community, engage with social concerns, and interrogate shifting notions of political and cultural identity over time.


Artists in the first rotation include: Celia Alvarez Muñoz (United States, b. 1937), Alfredo Arreguín (United States, 1935–2023), Samuel Baray (United States, b. 1938), Candace Briceño (United States, b. 1971), Rolando Briseño (United States, b.1952), Vibiana Chamberlin (United States, b. 1942), Sam Coronado (United States, 1946–2013), Margarita “Mita” Cuarón (United States, b. 1952), Gaspar Enriquez (United States, b. 1942), Dolores Guerrero-Cruz (United States, b. 1948), Ester Hernández (United States, b. 1944), Yolanda Lopez (United States, 1942–2021), César Martinez (United States, b. 1944), Salvador Roberto Torres (United States, b. 1936), D. Rose, Annette Maria Sexton-Ruiz (United States, b. 1958), Patssi Valdez (United States, b. 1951) and Larry Yáñez (United States, b. 1949).


“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria, Community Building Director, Iconico, and Carla León Celaya, PhD candidate in the Spanish Department at the School of International Letters and Cultures, ASU.

Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection

Enjoy live music, an iced coffee or mimosa flight, or one of our delicious breakfast/brunch items at JOJO Coffeehouse.

Live music every weekend from 11 a.m. to 2 p.m.

JOJO Coffeehouse

Live Music at JOJO Coffeehouse

Ukutula: Our Timeless Journeys centres on a display of sixteen extraordinarily diverse traditional West African masks. These masks, part of the Agnes’ Justin and Elisabeth Lang Collection, appear in chorus with the contemporary work of five Canadian artists from the African and Asian diasporas: Anthony Gebrehiwot, Jill Glatt, Jessica Karuhanga, Camille Turner, and Winsom Winsom.

Employing photography, new media and video, textile installation and more, the artists of Ukutula: Our Timeless Journeys reflect on diasporic roots by exploring themes of identity, transformation, the body, belonging, place and regional histories. The exhibition collectively invites us to explore the relationship between the past and present, and how our physical and spiritual journeys shape who we are.

London

Ontario

421 Ridout Street North

Museum London - Ivey Galleries

Ukutula: Our Timeless Journeys

As we move around London, signs are all around us, announcing the names of businesses and alerting us to services offered and goods available. In our everyday lives, signs can become part of the landscape, standing out when needed and fading into the background when not. 

As museum objects, however, signs are the physical traces of a past London that only some may remember well. Many recall with affection, for example, Johnny and Dorothy Downs’ banquet facility, the Latin Quarter Place. As we move further into the past, though, London becomes an unfamiliar place. Where was Balkwill’s Hotel, for instance, and who ran it? This exhibition featuring signs from Museum London’s extensive artifact collection recalls and revives this fascinating forest city of yesteryear. It will also introduce some equally compelling Londoners. The signs in _London Recalling_ are mounted high on one of Museum London’s barrel vault walls.  This not only makes the most of the Museum’s architecture but also displays the signs as they would have been seen when first used.

\-Tuesday to Sunday: 11 AM to 5 PM  
\-Thursdays until 8 PM

421 Ridout St. N.

Museum London - Community Gallery, second level

London Recalling: Traces of Places from the City's Past

Free snowshoeing in the Westminster Ponds, weather permitting, every Saturday (11 AM -1 PM) and Sunday (1 PM - 3 PM). Snowshoes provided and self-guided trails. Please check their [social media](https://www.instagram.com/westminsterldn/) for more updates.

944 Western Counties Rd

Westminster Ponds

Snowshoeing in the Westminster Ponds

Every Sunday features The Noah Peterson Trio at the Dodging Duck Brewhaus from 11am-2pm.   Sax, Keys, and Bass will keep your toes tapping while the band swings your entire party away with top notch jazz.

Dodging Duck Brewhaus

Sunday Jazz Brunch